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Two things I should say about this series.
This iconic house shape inserted itself into my work this past year, and I have embraced it for what it lends graphically to the composition as well as for its capabilities in storytelling. The work is a combined response to childhood memories, the landscape of the fields where I live, and the awareness of what building, leaving, creating, and losing a home, both figuratively and literally, can mean in the human experience.
And it is in the expression of that human experience that I find the intersection of chaos and order, where the energy of the mark plays against the severity of line.